Free PDF How to (Un)cage a Girl, by Francesca Lia Block
How to (Un)cage a Girl, by Francesca Lia Block
Free PDF How to (Un)cage a Girl, by Francesca Lia Block
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From School Library Journal
Grade 9 Up—These poems traverse the steep climb from girlhood to womanhood while unearthing the hard truths hidden within this journey. Divided into three parts—"years at the asylum," "in the hair of the toxic blonde," and "love poems for girls"—the collection touches on anorexia, self-love and loathing, parental relationships, superficiality, losing one's virginity, rape, and love and loss. Block celebrates womanhood, but not in a bubblegum, girl-power way. Plathian symbols abound, from pervasive father issues to Nazi comparisons to insane asylums, real and imagined. The poems feel simultaneously autobiographical and universal. While the death of the narrator's father in "a myth of love for girls" colors her search for a partner, the universal struggle of women to escape or find their father's image in future relationships is aptly captured. The final selections cross into the territory of life lessons learned well beyond the teen experience and perhaps ring too much like motherly advice, but the raw authenticity of the narrator's voice throughout overshadows any later departure. Teenage girls, especially sophisticated, angst-filled poetry readers, will devour this insightful and powerful collection.—Jill Heritage Maza, Greenwich High School, CT Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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From Booklist
Block once again mixes characters from fairy tale and myth—vampires, mermaids, fairies—in this collection of urban poems that contrast menace and beauty; innocence and heartbroken experience; despair and bold confidence. As in her recent story collection, Blood Roses (2008), the works frankly discuss body image, sex, and love, and subjects that stretch into adult life, with poems about marriage, divorce, and motherhood. Luxuriant imagery of roses, feathers, and glitter contrast with dark, menacing scenarios of girls and women threatened by men and by their own brutal judgment, with vibrant, sometimes cruel Los Angeles as a constant backdrop. Eating disorders figure into many poems, as does advice on finding joy. There is hope in the beautiful title poem, which speaks about the limitless freedom that can come with self-acceptance, and young women will easily relate to the many selections about teen naïveté and restlessness: “just us girls all in shiny pink / waiting for something to happen.†A stirring exploration of female suffering and empowerment, this will attract Block’s adult readers, too. Grades 11-12. --Gillian Engberg
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Product details
Hardcover: 128 pages
Publisher: HarperTeen (September 16, 2008)
Language: English
ISBN-10: 0061358363
ISBN-13: 978-0061358364
Product Dimensions:
5 x 0.6 x 7.1 inches
Shipping Weight: 7.2 ounces (View shipping rates and policies)
Average Customer Review:
3.9 out of 5 stars
17 customer reviews
Amazon Best Sellers Rank:
#3,110,135 in Books (See Top 100 in Books)
I was expecting more, I guess?There were a few poems that I loved, especially Forty-Five Thoughts for my Daughter and my Virtual Daughters, but overall, it wasn't my cup of tea. I think, in a way, the title and description implies this is a very YA/teen-specific collection but many of the pop-culture references and just content in general reads more "unsatisfied, middle-aged woman" than "teen." I'm in my mid-twenties and even I was too young to understand some of the references.Not bad, just not what the title and description leads you to believe.
How to (Un)cage a Girl by Francesca Lia Block is a collection of poetry full of lush and lavish imagery. It reads almost like a memoir, an open letter to her friends, her children, and her many fans. I don't know enough about Block's life or history to know how much of these poems are confessional. It doesn't matter. The messages, if they are based on her individual experience, have a resonance. Any young girl struggling with body image will understand the narrator's anorexia even if the reader hasn't starved herself for beauty's sake.I can't imagine any girl growing up in our nation not being compromised by body image issues.If there is any doubt about why Block has a huge cadre of fans, reading this book will settle some of the misgivings to rest. Whether the poetry style appeals or not, the messages are ones that only an oblivious or vicious person would not agree is beneficial to young readers.
Francesca Lia Block is an amazing writer. I first found her when I started college. I was adventuring through the library where I found Psyche in a Dress and was enchanted by the story.I picked up this book and a few others of hers because they don't sell in many bookstores near me and I want to get to know the author better. This poetry collection is about being a girl and all the challenges that it brings. It spoke to me and it was still completely beautiful.
I wish more school libraries made Francesca Lia Block available to students. While her work may not be appropriate for younger students, middle and high school students would definitely benefit from reading her works. Her vivid imagery and active verbs are excellent examples to use in language arts class, and the subject matter is something that girls can relate to.
I love Francesca Lia Block. She is my favorite author and I own almost all of her books. I am so glad to add this to my collection
this book contains lots of short stories and mostly poems. her writing is so unique. i always end up highlighting or underlining sections i can really relate to. quick read and nice to go back to read over and over.
Maybe it's because I'm not a teenager anymore, but this just didn't do it for me. Went on and on. Bland metaphors bored me. Girl Goddess #9, however, is a book of hers that I still enjoy.
I think what I like about this collection is that some of its poems make a world out of teenage girldom. We can forget so fast what the world is when we were that age, and later in our lives poems about all the feelings and magnified sorrows and devastation over such seemingly minor events can seem a little petty, but to tell the truth, they aren't. They're right for that time in your life, and people who aren't forced to deal with adult woes before their time experience them like this--pieces of beauty, love, realizations, revelations that are framed as if they're the deepest thoughts in the world--and you can remember a little bit how small your world was and how big it felt. Maybe you can even look at your own life and realize it's probably smaller than you know too.And then there are the poems that ARE about big things--about disease, about culture and being both a participant in it and a victim of it, about self-destruction, about losing someone you love--and those manage to connect to a larger picture to put it in perspective for everyone who has or hasn't been there.I don't personally relate to really anything in the poems, though--I didn't have much experience with the kinds of disasters she describes, and I wasn't the same kind of girl. I didn't lose anyone important to me in my youth and I didn't hurt myself or have self-hating thoughts or experience significant disease. Boys judging my appearance did nothing to me, I didn't crave their attention, I didn't admire the movie stars, I wasn't lonely, I didn't have sex or make out with people to feel glamorous or cared for. I had absolutely no interest in being like a movie star and paid little to no attention to whether I was fashionable or pretty (and to be honest, Ms. Block's preoccupation with that last in just about everything she writes gets on my nerves). As usual, lush descriptions of things people are wearing or what their physical appearance is like takes up a lot of real estate in this book. To be perfectly honest, the fixation on clothing details and makeup and whatnot--while it does paint a pretty specific picture if that's what you're into--doesn't do much for me when trying to imagine what I'd actually look for in a photograph. I wouldn't remember what someone was wearing, but I'd remember the look on their face, or how they had their hands poised, or what I thought they wanted to do next based on the presentation. I feel like so many of these images are posed for me and I'm told "look!" but when that's all that's there in so many of the images, I have no emotional attachment to them.But I can see some things to relate to anyway. I especially liked one line where the speaker discusses being part of her boyfriend's "collage," serving a certain purpose that she no longer served once they had sex, and she realizes he was part of HER collage too. I found that to be an empowering thought. I also liked one where the speaker discussed actresses as icons and then as the women she'd realized they were. (I didn't like that they were about specific actresses that you could recognize, though--it was just sort of weird to me.) And I thought one poem was very sweet where the author expressed dissatisfaction with her physical appearance and all the changes she'd made to make it better, until she felt like she'd become someone else, and then a teenage girl wrote her to say she didn't feel pretty and the author was able to take her own advice and "slept peacefully in [her] own arms."This may just be because I'm not much of a poetry scholar, but I tend not to like Ms. Block's poetry form. It feels sort of uneven, unstructured, and a little rambly most of the time, like it's just spilling thoughts everywhere and once in a while ends a line in the middle or puts a word on its own line for Emphasis. I think I'd like to see an occasional poem with more structure or something that is more than just an expression of an important or powerful idea. Ms. Block's prose is generally a little flowery. This poetry book just kind of feels like it's her usual writing topics but with the same ideas arranged into lines instead of expressing part of a larger narrative. I noticed one piece in each of the three sections was an unpunctuated, undivided ramble and I thought that was an interesting thing to do, but it didn't seem to have any particular significance--it was just there.I was glad to see there were a few poems in there from an older woman's perspective that seemed to recognize things are more important than beauty and that beauty can be dangerous if you want it in a way that can kill you. It doesn't seem like the author has too many moments where she talks like this, but I appreciate them even as I appreciate that she can admit her insecurities and her fixations. I like when she writes about her children and about the bigger picture beyond L.A., pretty clothes, and physical beauty. Some of those observations remind me why I've written the poetry I have.
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